This is a call for all genres of landscape: natural, urban, industrial, and abstract. Show us how you see the world, while embracing the quiet and minimal.
All capture and processing methods are welcome.
Deadline for submissions: April 17, 2023

This is a call for all genres of landscape: natural, urban, industrial, and abstract. Show us how you see the world, while embracing the quiet and minimal.
All capture and processing methods are welcome.
Deadline for submissions: April 17, 2023
The Photo Review Auction features work from the 19th century to the present. Collectors will have the opportunity to bid on work from some of the most famous practitioners of the medium to contemporary stars to fascinating vernacular work by the ubiquitous Unknown.
Published since 1976, the Photo Review is a semi-annual journal covering photography events throughout the country.
Online bidding is open until November 11, 2022, 5:00 p.m. EST.
Wendi’s images are featured in the Language of the Land edition of Shadow & Light Magazine.
“I create illuminated impressions of glimpses of grace in our vulnerable natural world. My work is a celebration of the senses anchored in the visual – an exploration of my spiritual connection to sinuous organic forms and the transcendence I find in their beauty. I preserve mystical moments that still time for me. Viewing the world in vignettes, I am calmed by the visual balance of a compelling composition. Subtle variations of rich hues move me, and I find magic in the mist and mystery of the obscured . . .”
–– Wendi Schneider
View the article: Shadow & Light Magazine, Issue 49, September/October 2022
Wendi Schneider’s gold leafed photograph “Around the Corner’ was featured as the Photo of the Day.
An excerpt from a 2018 Rfotofolio interview:
Which photographers and other artists’ work do you admire?
“A long, yet abbreviated list: the Pictorialists – Steichen, Demachy, Eugene, de Meyer, Kuhn, Kasebier, Puyo, Brigman, Coburn, Haviland – Moon, Metzner, Turbeville, Outerbridge, Sudek, Salgado, and so many others. I’m drawn to the simplicity of old Japanese prints and paintings, the gilded work of Klimt and the religious painters of centuries past, Manet, Monet, Heade, Turner, Sargent, Whistler, Courbet . . . the list goes on. I believe everything we see is imprinted on our psyche, perhaps to emerge in a personal incarnation in the future.”
View more of Wendi’s work and the interview on Rfotofolio.
The images were printed with archival pigment inks on Japanese kozo paper – made from the inner bark of mulberry trees. White gold leaf was then applied on the verso, infusing the artist’s hand and suffusing the images with the implied spirituality of the precious metal. The filtered, dappled light that glimmered through the branches is echoed in the shimmer of the gilded prints.
Read the article: ArtDoc Magazine, Issue #3: Voices of Nature, 2022
Gilded Photography
Galeria Photographic
On view May 7 – June 18
Opening Reception:
May 7, 11am – 3pm CT
Mesones #57, San Miguel de Allende
An exhibition of gilded photographs by artists Wendi Schneider and Lori Pond, featuring selections from Schneider’s illuminated impressions of grace in the natural world in “States of Grace” and Pond’s reflections on life and death in “Learning to Walk in the Dark.”
A Gallery For Fine Photography presents ‘States of Grace’ – a collection of twenty-four gilded pigment prints by contemporary artist Wendi Schneider. This work is rooted in the serenity Schneider finds in the sinuous elegance of organic forms.
Schneider writes “My work in the States of Grace series illuminates transformative moments of spiritual connection to nature, rooted in the serenity I find in the sinuous elegance of organic forms. I photograph intuitively to make the intangible tangible, creating impressions of fleeting moments of vanishing beauty in our vulnerable environment to honor the ephemeral. . .”
Schneider says “I create illuminated illusions – tender, gilded offerings of fleeting moments of beauty in our vulnerable environment . . . My process creates a surface that shimmers as the viewer’s position and ambient light transition, reflecting the mercurial light at capture. Elevating the ephemeral, I follow instinctively where each image and print takes me, often altering the color, texture or gold, and honoring the variations within the edition. Each of these unique framed prints is a one-of-a-kind object of reverence.”
Wendi Schneider’s portfolio The Patina Collection was chosen as Work of Merit in the 2020 Rfotofolio Call.
The Patina Collection is an assemblage of gilded prints in the ‘States of Grace’ series paired with antique frames – the synthesis of 40 years of collecting turn-of-the-twentieth-century art and objects and creating images inspired by the sinuous elegance of organic forms.
“Her work is influenced by the lush landscapes of Memphis and New Orleans, her collection of art and antiques from the turn of the twentieth century, and a background in painting and art history – in particular the work of Steichen, Whistler, and other Pictorialists and Tonalists. She turned to photography in the early 1980s to create references for her paintings, then combined the mediums…”
Thanks to Elin Spring and Suzanne Revy for including “Little Black Angel” in the “Solace” installment of Viewfinder, a series of themed virtual exhibitions.
View the article: Elin Spring and Suzanne Révy, What Will You Remember? May 6, 2020
“My practice has not shifted measurably in the time of Covid-19. I turn to nature to dwell in serenity amidst the chaos, for it is there I find sanctuary and respite. I am transfixed and transformed when I capture impressions of fleeting grace in the natural world. Calmed by fluid, organic shapes reminiscent of the elegant whiplash lines of art nouveau botanicals, I photograph intuitively.“
Wendi contributed a post to Safe in the Studio, a weekly series created in response to the pandemic, where artists offer insight into their work and artist practice.
Read the article: Wendi Schneider, Safe in the Studio, April 9, 2020
In this exhibit we honor trees in all their states: majestic specimens or struggling seedlings, in summer plumage or winter austerity, grown in nature or nurtured by man. Where do you find inspiration in trees? What is it about trees that moves you? All capture methods and processes are welcome. Deadline for submissions is February 10, 2020.
Trees
PhotoPlace Gallery
3 Park Street, Middlebury VT 05753
On view April 2 – April 25, 2020
Many thanks to Dodho Magazine for featuring images from the States of Grace portfolio on their website!
Read the article: “Stillness,” Wendi Schneider, Dodho Magazine, January 2020
Opening Reception: Saturday, December 14
The Center for Creative Photography
1030 N. Olive Rd. Tucson, AZ 85721
Artist Reception: Saturday, October 19, 6-8pm
Catherine Couturier Gallery
2635 Colquitt Street, Houston, TX 77098
Opening Reception: Thursday, October 10, 5-8pm
Art Gym Denver
1460 Leyden St, Denver, CO 80220
Exhibition on view October 10 – November 1, 2019
Lenscratch, the internet’s premier daily photography journal, highlighted Wendi Schneider’s newest exhibition at the Southeast Center for Photography: Evenings with the Moon.
“Artist Wendi Schneider is unabashedly unafraid of beauty. Her images are timeless, romantic, and filled with poetry and grace.”
Read the article: Aline Smithson, Lenscratch, October 3, 2019
Artist Reception
Friday, October 4, 6-8pm EST
Southeast Center for Photography
116 East Broad Street, Greenville, SC 29601
On view September 6 – October 26, 2019