“Schneider shoots with the ghosts of Brigman, Steichen, Stieglitz, and other members of the Photo Secession standing by her side, lending her work a timeless, beguiling air of memory. For Schneider, time itself is her demeanor . . . Building a bridge into this digital age, Schneider unabashedly flaunts her camera vision, informing it with a printmaker’s devices and a painter’s disregard for rules.” –– Rick Wester