This is a call for all genres of landscape: natural, urban, industrial, and abstract. Show us how you see the world, while embracing the quiet and minimal.
All capture and processing methods are welcome.
Deadline for submissions: April 17, 2023

This is a call for all genres of landscape: natural, urban, industrial, and abstract. Show us how you see the world, while embracing the quiet and minimal.
All capture and processing methods are welcome.
Deadline for submissions: April 17, 2023
The Photo Review Auction features work from the 19th century to the present. Collectors will have the opportunity to bid on work from some of the most famous practitioners of the medium to contemporary stars to fascinating vernacular work by the ubiquitous Unknown.
Published since 1976, the Photo Review is a semi-annual journal covering photography events throughout the country.
Online bidding is open until November 11, 2022, 5:00 p.m. EST.
Wendi Schneider’s first solo exhibition at Rick Wester Fine Art
On view February 10 – April 2, 2022
Opening Reception: February 10, 6-8pm ET
526 W 26th St, #417, New York
“Schneider shoots with the ghosts of Brigman, Steichen, Stieglitz and other members of the pre-Modernist Photo Secession standing by her side, lending her work a timeless, beguiling air of memory. For Schneider, time itself is her demeanor, her medium where a conversation well over a century old continues between her and those artists who inspire her . . . Paying homage to those who used photographic imagery like ingredients in some pictorial gumbo, she uses time as a spice infused with narrative, a flavor seeped into the process of layering effects. Building a bridge into this digital age, Schneider unabashedly flaunts her camera vision, informing it with a printmaker’s devices and a painter’s disregard for rules.” – Rick Wester
Schneider says “I create illuminated illusions – tender, gilded offerings of fleeting moments of beauty in our vulnerable environment . . . My process creates a surface that shimmers as the viewer’s position and ambient light transition, reflecting the mercurial light at capture. Elevating the ephemeral, I follow instinctively where each image and print takes me, often altering the color, texture or gold, and honoring the variations within the edition. Each of these unique framed prints is a one-of-a-kind object of reverence.”
Wendi Schneider appeared in today’s Daily Inspiration for Voyage Denver, a community-oriented magazine whose mission is to “build a platform that fosters collaboration and support for small businesses, independent artists and entrepreneurs, local institutions and those that make our city interesting.”
Read the interview: Voyage Denver, Daily Inspiration, July 7, 2021
“We would like to mention some photographers with outstanding technical skills, original approaches, and storytelling capabilities.”
— Passepartout Judges
“Wendi is widely known for her ongoing series of hand-gilded photographs, States of Grace –– illuminated impressions of grace in the natural world. Drawn to the serenity she finds in the sinuous elegance of organic forms; she embraces photography to preserve vanishing moments of beauty in our vulnerable environment. She has perfected a gilding process in which her images seemingly dance on the paper’s surface amidst reflections of light on precious metals, creating a synthesis of technique and subject.”
—Denver Women Magazine
Read the interview: Denver Women Magazine, November 2021
Wendi Schneider was a Featured Photographer in the 158th Issue of Visual Art, the magazine published by England’s Royal Photographic Society Visual Art Group. Many thanks to the Royal Photographic Society for this wonderful feature.
“I was in New Orleans last year and found ‘A Gallery for Fine Photography’ and it was here, among a fantastic selection of images, that I discovered the work of Denver-based artist Wendi Schneider. Her work literally shone out, by the use of precious metals to gild the reverse of her work, she creates other-worldly representations of the environment around us. I admire the way she has produced a beautiful body of work in a unique and magical way.“
– Ray Higginbottom, Editor, ARPS
Read the article: Visual Art Magazine, No. 158 Issue 2, 2020