The images were printed with archival pigment inks on Japanese kozo paper – made from the inner bark of mulberry trees. White gold leaf was then applied on the verso, infusing the artist’s hand and suffusing the images with the implied spirituality of the precious metal. The filtered, dappled light that glimmered through the branches is echoed in the shimmer of the gilded prints.
Read the article: ArtDoc Magazine, Issue #3: Voices of Nature, 2022